
Oh, and there is a new Last and Ten.
And the inner circle draws tighter.The full thing is at NJ.com, but you can comment here.
Each episode of this season has seen Tony driving a wedge between himself and a trusted ally -- first Bacala, then Chris, then Paulie and now Hesh, whose friendly $200,000 bridge loan last week turned ugly once Tony realized Hesh actually expected him to repay it.
We've had hints in recent episodes that Tony was gambling too much, but episode four, "Chasing It," has him in full-on Davey Scatino mode, losing big at every game he tries: horses, roulette, blackjack, football, everything short of jai alai or an Oscar pool.
"This is real shit. This coke is pure shit."
"It's good shit, right?"
"I mean bad shit."
"Bad shit like, 'this shit is bad?'"
"It's shit shit. This shit isn't worth shit."
"You want to be an NFL star? You want to stand in my shoes? Let's say one day I came to you and offered you a million dollars to let me take a huge hunting knife and wear down the blade until it was rusty and really dull. Then, when it's really dull and nasty, I would stick it into a pit of burning coals until the blade was white-hot. Finally, I would pull that sucker out of the flames and stab you over and over and over again. Take that blade and stab you in the ankles, your feet and your wrists. Not just stick it in but turn. Every single year I have somebody sink this awful, dreadful blade into a few parts of my body."
IN THE FINAL scene of last week's "Grey's Anatomy," chief of surgery Robert Weber (James Pickens Jr.) visited a local bar, trying to rebuild his dating muscles after the end of his long marriage. Horrified to realize he was flirting with a college student, and embarrassed that he let smarmy Dr. McSteamy (Eric Dane) talk him into this plan, the chief was on the verge of bailing when Dr. Addison Montgomery (Kate Walsh) sat down next to him and suggested he ask her to dance. Told by the chief that the bar had no dance floor, she gave him an insouciant grin and said, "So? Ask me anyway," and the pair ended the episode sharing a funky, silly, completely charming two-step, surrounded by oblivious drinkers.To read the full thing, click here.
That was Kate Walsh's only real screen time last week, but in that minute-plus, she demonstrated why she was the right choice to be the star of the upcoming "Grey's" spin-off -- and why the original show is going to suffer badly with the loss of one of the few likable characters it has left.
The backdoor pilot for the spin-off, which will also feature Tim Daly, Taye Diggs and Amy Brenneman in its cast, airs next week. While I'm naturally skeptical of spin-offs, I hope this one is good, and that Addison can bring the chief, Callie (Sara Ramirez) and Karev (Justin Chambers) with her, so I no longer have any reason to watch "Grey's" proper.
Glad to see they bogarted the Fast Forward along with the rest of the "Amazing Race" vibe. On paper, it will give the writers opportunities to tell stories that go beyond "figure out obscure clue and drive real fast to it," but it didn't feel like there was enough time to turn this into a decent caper plot.
Why'd they have to go and kill D'Angelo Barksdale's mom? I liked her much better than her partner (and/or Taryn Manning), but of course she's not as young and hot as the other two, so I suppose that answers that question. Of larger concern: because this actress (Michael Hyatt) and Dylan Baker are the only two significant racers to not be in the opening credits, it really telegraphed both her fate and the fact that Baker's due to succumb to his fatal illness any second now. How much more complicated would it have been to produce some mock opening titles featuring Hyatt and Baker until each of them wrapped up his/her run on the show? I know that in the past, producers have claimed that this trick is too expensive and/or time-consuming to do (it's the reason Eric Balfour wasn't in the titles for the "Buffy" pilot, even though Joss wanted him to be), but a commenter on the Zap2It blog says that this week's credits changed so that Tully was driving his new car instead of the pick-up; how much more of a hassle would it have been to do versions including Hyatt and/or Baker?
What did everybody else think?
What did everybody else think? Glad to have it back? Not worth the wait? What?
On TV, what goes up will inevitably come crashing down, even if it's a show whose star can fly.To read the full thing, click here. I'll have a full post on tonight's episode hopefully ready to go by the time it's done airing.
It's a fact of life that this year's watercooler phenomenon will become next year's shark-jumper, that what seemed novel and exciting will come to feel predictable. As I often say, being a fan of a TV show is like being in a relationship, and that thing your girlfriend does while she's eating that seemed cute on your second date will start driving you bonkers after you've been together for a year or so. We forgive a lot more when the romance is new and fresh than when we've been together so long that we can complete each other's sentences.
It always happens, whether the show is an all-time classic ("The Sopranos"), an obvious flash-in-the-pan ("Ally McBeal") or something in between ("Desperate Housewives"). And I have no doubt it's going to happen to this season's biggest hit, NBC's "Heroes," which tonight begins its final stretch of original episodes for its first season.
"Things are going great, finally," says Tony Soprano. "Maybe I'm just waiting for the other shoe to drop."The full thing's up at NJ.com, but you can comment here.
So are we, Tony.
As this final season has gone on, fans have been waiting to see who will die, who will wind up in jail, who will rat. If a sad, moving episode like last night's "Remember When" is any indication, the wait might not end -- and that might be okay.