Tuesday, February 24, 2009

Terminator, "Desert Cantos": Burial of the plot

Brief, belated spoilers for Friday night's "Terminator: The Sarah Connor Chronicles" coming up just as soon as I put on some plaid...

My interest in "Terminator" is really waning these days, and not even the surprise appearance of the SkyNet drone (wee though it was), nor the brief glimpse of Shirley Manson trying to be a better mom to Catherine Weaver's daughter, was enough to compensate for yet another episode that dragged on forever for little purpose.

The use of the title cards (referring to different stages in the funeral process) at the start of each act implied that -- like the Mexico-set "Mr. Ferguson Is Ill Today" -- the production team believed they were making something more ambitious, or profound, than they actually were. I've been a fan of the episodes that have dealt with the psychological toll of time travel and knowing the apocalypse is coming, but those episodes have focused on the regular characters we know well and care about. This was largely about that burden falling on a bunch of unsuspecting new guest characters, and so it felt that we, like John and Cameron, were crashing a funeral where we had no business being. It was extremely, extremely dull.

They're clearly heading in a direction where SkyNet is now trying to establish itself years before the new Judgment Day -- and possibly one where Shirley Manson is working against them -- but they really, really, really need to get to the point already. Or, failing that, they need to give us a lot more Cameron and Derek in the weeks to come.

I did find it a nice touch that the Max Perlich character claimed to be a former cop from Baltimore, since Perlich spent a couple of seasons on the Baltimore-based "Homicide" as squad videographer J.H. Brodie. But again, not enough to make me like that hour.

What did everybody else think?

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