Everyday people? Not anymore.

Two columns today. The first is in praise of "Heroes":

Personal philosophy time: You have just realized you possess the amazing ability to bend space and time to your will. Do you use it to:
A) Travel cheaply to faraway places?
B) Fiddle with the clocks at your dead-end job?
C) Get into the opposite-sex bathroom without being stopped at the door?
D) Save the world?
For Hiro Nakamura, the aptly named breakout character of NBC's wild new drama "Heroes," the answer is more E) All of the above.
Played by Masi Oka, Hiro is a Tokyo-based cubicle drone and unabashed geek, the kind of guy who quotes X-Men comics and "Star Trek" episodes to explain how his powers work.
"Every hero must learn his purpose," Hiro tells a disbelieving co-worker. "Then he'll be tested and called to greatness."
"I think I need a stiff drink," the friend replies. "Beam us up, Scotty."
Like so many other new shows this season, "Heroes" is about total strangers -- a college professor in India, a west Texas cheerleader, an LA cop, a Vegas stripper and a New York politician, among others -- who are brought together under unusual circumstances. The circumstances just happen to involve flight, teleportation and telepathy.
"Heroes" has the kind of ambitious narrative and visual style you wouldn't expect from producer Tim Kring, the man who brought the world "Teen Wolf II" and "Crossing Jordan." But as if possessed by a super power of his own, Kring has created a big, colorful, messy, involving, funny explosion of a show. If it's not the best new series of the season, it's definitely the most memorable.

To read the rest, click here. In the second review, I dismiss "Runaway" in short order.

For a brand-new network, there's not much new to see on the CW. A mash-up of the best bits of the WB and UPN, the awkwardly titled network begins its first season of existence with only two shows that weren't on the air last spring. One, "The Game," is a spin-off of UPN's "Girlfriends." The other, "Runaway" (tonight at 9 on Ch. 11) is like a Frankenstein's monster stitched together from pieces of dead shows from both networks. And like the big guy with the bolts in his neck, all the parts looked better on their original bodies.

To read the rest, click here.