Wednesday, February 15, 2006

Go, go, go, go for G

Better late than never, I got to "Grey's Anatomy" last night. I have to applaud Shonda Rhimes for following one of the first rules of drama: she brought a bomb onstage in the first act, and she made damn sure it went off by the last, even if it had to take poor Kyle Chandler with it.
(And here I was figuring Chandler was here to help prolong the inevitable Meredith/McDreamy reunion. Ah, well; guy was good enough that, between this and "King Kong," he ought to get a good pilot role. Since Matthew Perry's playing the Sorkin part in "Studio 60 on the Sunset Strip," maybe Chandler could play Tommy Schlamme.)

As implausible and over-the-top and "ER"-ish as this two-parter was, I was hooked for virtually all of it. (Again, the only moments throwing me out were when Meredith and Cristina started gabbing about their love lives in the middle of this.) I didn't even laugh when McDreamy pulled a Fonzie and brought Bailey's husband back to life with a well-placed fist to the chest. (On the other hand, I laughed for a long time when Bailey told George to stop looking at her va-j-j, or however you spell it.) This is a show that's firing on all cylinders right now, and I'm damn glad to see that it actually outrated "Desperate Housewives" this week.

"Gilmore Girls," meanwhile, took a trip to Martha's Vineyard by way of Bizarro World. So Logan is likable and Luke is a whiney jerk? When the hell did this happen? Rory's continued transformation into a Stepford Wife creeps me out (and I love how Rory and Logan piss and moan about Mitchum but don't have a problem staying in his home or using his money on a trip to Asia), and I want to slap Lorelai for not telling Luke that she wants to spend time with April. At this point, I'm longing for the Lorelai/Rory split portion of the season; at least then, we got lots of Richard and Emily.

If "Housewives" can be entered at the Emmys as a comedy, then maybe "House" should, too. The migraine medicine subplot -- and, especially, Wilson's horrified realization of what House was doing at that lecture -- was hysterical.

Back to "Sopranos"-land...

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