Tuesday, July 14, 2009

Warehouse 13, "Resonance": Number Six with a bullet

I'm on vacation at the moment you're reading this, but I liked this week's "Warehouse 13" enough that I wanted to say a couple of things about it before I stepped away from the laptop. Quick spoilers coming up just as soon as I huff and puff...

My concerns with the "Warehouse 13" pilot had less to do with the characters and the concept than the story they chose to tell in the first episode. The business with Lucrezia Borgia's comb was too complicated, and really not that interesting, even with Saul Rubinek riding a zipline.

Pete and Myka having to deal with the world's most perfect pop song, on the other hand? A cool idea, well-executed, particularly in the assault on the federal building where we finally got a good long look at its effect. I don't know that a 45 rpm record quite qualifies as steampunk, but it fits into the retro-tech vibe the show has going, and I liked it.

A few issues: I wish they'd given Tricia Helfer more to do, Myka using the case to reconnect with her dad (who she earlier made sound like a total bastard) felt trite, and by showing this episode slightly out of order (it was the third produced, and the second after Jack Kenny took over as showrunner), it feels like we're moving too fast in the partners coming to accept each other's way of working. The whole "she looks, he leaps" thing felt trite in the pilot, but at the same time, it's jarring to hear her already telling him to trust his instincts in the face of other evidence.

But it's always a good sign to see a show get better after its pilot, rather than worse.

What did everybody else think?

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