Busting loose

Spoilers for, in order, the "Kill Point" finale, "Flight of the Conchords" and, extremely briefly, "Entourage," coming up just as soon as I swap clothes with somebody who's not really my size...

Not a bad ending to "The Kill Point," I thought. There were some characters and set-ups that never really went anywhere -- Omar the sniper felt particularly wasted, as did the couple locked in the closet -- but there were so much else going on that I felt I got a reasonable amount of pay-offs. Mr. Wolf finally had to step in and deal with one of the psycho brothers (though when did Rabbit start acting crazier than Pig?), the writers faked me out on Cali's reasons for helping the escape (at first I assumed he had realized the only way to save the hostages was to get Wolf away from the other cops), and Leguizamo and Wahlberg got one more strong scene together at the end. I'm not saying it was perfect, but on the miniseries' own modest level, it got the job done.

(Also, for those wondering about the dedication card to the late "Shield" director/producer Scott Brazil, Brazil was supposed to direct most of "Kill Point," but died before production began.)

As I recall, last night's "Flight of the Conchords" was supposed to air sometime earlier in the summer, but it got pushed back to be the season's penultimate episode. As the show doesn't really do ongoing plotlines (when I interviewed them, the guys implied that after the Coco/Sally stuff was over, they were glad to be rid of any arc responsibilities), it's not a big deal, but it does have me thinking about why. As we've discussed before, the plot's kind of besides the point on this show, yet this episode felt a little overwhelmed by its story, which is one of those stock sitcom plots -- The Lie That Goes Too Far -- they've been doing since a few days after Philo T. Farnsworth invented the TV.

As such, this felt the least "Conchord"-y of any episode so far, even though I found it funnier than, say, either of the Sally episodes. I liked both songs, though the ode to Murray was the smarter of the two (the "Lord of the Rings" tune was largely carried by the video elements), and there were the usual brilliant little moments, like Dave's story about the five women who wanted to marry him, Murray not understanding why Mel was speaking Elvish, Murray insisting on calling roll at the impromptu band meeting, or Will Forte turning away from the guys without actually walking away. (His character, by the way, reminded me a bit of an old Alec Baldwin "SNL" sketch called "The Mimic," about a man who can only do three or four voices, all of them terrible.) It was unexpected but not off-key to have Jemaine be the more sensible member of the band for once, and Murray's explosion at learning he had been fooled was great, as was the revelation that he was bottomless for the entire final scene.

Finally (sigh), "Entourage." Well, at least the writers had Vince acknowledge that everything always works out fine for him, but it wasn't funny the way it was when Jerry Seinfeld did it in "The Opposite." Unless the Cannes episode features some amazing uptick in quality -- a practical impossibility, I think, since comedy road trip episodes invariably stink -- I can't imagine wanting to watch this show again next season, even if it's again the lead-in to "Conchords." Life's too short.

What did everybody else think?