Tuesday, May 20, 2008

Bones, "The Pain in the Heart": Tricks and treats

Quick spoilers for the "Bones" season finale coming up just as soon as I reorganize my Social Distortion record collection...

Well, that was pretty disappointing.

On the one hand, I'm glad they didn't make Sweets turn out to be Gormogon (or his apprentice), as it would have been cheap (the only new character of the season turns out to be the big bad of the season) and it would have deprived us of the Sweets/Bones/Booth scenes, as well as depriving the artist formerly known as Sam Weir of employment.

On the other, the resolution to last week's shooting cliffhanger was so lame that it left a bad taste in my mouth for the rest of the episode. We all knew Booth wasn't going to be dead -- you don't kill the buddy on a buddy show -- but to resolve it in such a silly way, with no real emotional follow-up was just awful. Sure, Bones was annoyed for a few scenes about Booth not telling her the truth, but nobody else was either upset or relieved to see the guy, and other than Angela being too sad to go to the funeral alone, nobody even seemed that bothered when it seemed he was dead. If they were going to shrug the thing off so quickly, why even bother to do it? This was the worst kind of sweeps stunting.

As a light comedy with a bit of mystery worked in, "Bones" works very well. (The show it most reminds me of, oddly enough, is the '70s James Garner private eye classic "The Rockford Files," in terms of its laid-back approach to the material.) When it tries to travel into deeper emotional waters, things get rocky. At least, they did last night.

What did everybody else think?

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